Berkan Işık

Technical Artist

Technical Artist bridging art and engineering in Unity through production tooling, VFX, shaders, UI/HUD and mobile optimization.

  • Editor Tools & Pipelines
  • VFX & Shaders
  • UI / HUD
  • Rigging & Animation
  • Mobile Optimization
Email LinkedIn GitHub
Vertigo Games ↗ Technical Artist · Critical Strike & Polygun Arena EONEvolve ↗ Co-Founder & Technical Artist

Featured Work

Mobile Technical Art · Optimization

Bicycle Extreme Rider 3D - Mobile Technical Art & Optimization

A live, shipped Built-in RP mobile title had accumulated years of shader variants, unused assets and oversized textures. I audited the project end to end, then cut variants, build size and raw project weight - without changing the shipped look.

~600K → ~100KShader variants
~450 MB → ~270 MBBuild size
~1.6 GB → ~800-900 MBProject assets
Read Case Study →
Production Technical Art · Live-Ops Tooling

Vertigo Games - Production Technical Art

Live-ops content tooling built on a shared asset convention, production VFX across 20+ weapons and items, UI/HUD and mobile optimization on Critical Strike and Polygun Arena, plus character animation setup on Polygun Arena.

5-7 h → 15-20 minPer live-ops content drop
6 systemsLive-ops workflows covered
~7 monthsIn production use
Read Case Study →
Own Studio · Two Shipped Titles

EONEvolve - Co-Founder & Technical Artist

Co-founded a mobile studio and took two titles from prototype to live - technical art, UI, tooling, art direction, production and monetization, all owned in-house.

2M+ downloadsBicycle Extreme Rider 3D
100K+ downloadsMotorcycle Sim Multi
Read Case Study →

All Work

Co-Founder & Technical Artist

BER3D - Mobile Optimization

A shipped title taken from ~600K to ~100K shader variants and a ~450 MB to a ~270 MB build - without changing the look.

  • Shaders
  • Optimization
  • Production
Technical Artist

Vertigo Games - Production Technical Art

Live-ops tooling, production VFX, UI/HUD and optimization on live mobile shooters, plus character animation setup on Polygun Arena.

  • Editor Tools
  • VFX
  • UI / HUD
  • Animation & Rigging
  • Optimization
Co-Founder & Technical Artist

EONEvolve - Own Studio

Two shipped mobile titles run end to end - technical art, UI, shaders, art direction, production and monetization.

  • Shaders
  • UI / HUD
  • Production
Personal Work · Lab

R8 Revolver - Maya Rig & Animation

A revolver rig built with clean, constraint-driven controls, then animated in Maya - the industry-standard toolchain for character and prop animation.

  • Animation & Rigging
Personal Work · Lab

Makarov Pistol - Maya Rig & Animation

My first rig, built and animated in Maya - a weapon-only pass, no hands.

  • Animation & Rigging

Technical Art Focus

Editor Tools & Pipelines

Unity Editor tooling, ScriptableObject setup, Addressables and asset conventions that turn slow manual content work into repeatable pipelines.

VFX & Shaders

Production VFX with Unity Particle System, and shader/material work in Shader Graph and Amplify Shader Editor, built to stay inside a mobile budget.

UI / HUD

Production UI and HUD implementation, responsive layouts across device sizes, and animated interfaces including Spine-driven UI.

Mobile Optimization

Measurement-driven work on shader variants, build size, atlases, particle budgets and quality scaling, validated on mid-tier devices.

About

I solve production problems that sit between art and engineering: making content pipelines repeatable, keeping visual quality intact inside a mobile budget, and giving artists and designers tools they can ship with. Most of my work starts with a bottleneck someone else is stuck on.

More about how I work →

Let's build something that looks great and runs fast.

Open to Technical Artist roles and collaborations.

iberkanisk@gmail.com LinkedIn GitHub